On a recent trip I had the luxury of connecting through Heathrow airport in London, a necessary evil for overseas flights (luxury = sarcasm).  Despite the long transit to the next terminal, it was actually a fast and efficient connection, so no complaints there (the seat selection is a different story, but hey, it happens to all of us).  When walking off the plane and down the jet way, I couldn’t help but look at the advertisements, especially those by HSBC.  Maybe it is just the photographer in me, and maybe because I appreciate good advertising, but the creative’s behind this campaign have certainly done well and communicated their message ‘the worlds local bank’ in a simple yet effective way.  And photography, according to global creative director Axel Chaldecott of JWT London, is central to the HSBC campaign.  How else would you keep an ad from being stagnant after running for 4 years across 50 airports?  Here is one of the many examples:

And I say ‘many’ because they were around every corner in every terminal, so that is probably why I remember them so well.  But probably the most eye catching for me was their simplicity and I could digest everything with a 2 second glance.  Full disclosure: I am already an HSBC customer, so the experience didn’t force me to go out and sign up for 3 credit cards and take out a personal loan, but they did give me confidence that the bank was going to be around today, tomorrow and ten years from now.  That is also why banks are typically in really nice or old buildings, this is all part of their brand, their reputation, their image.   Advertising a bank in the current economic climate isn’t easy but, says Chaldecott, the trick is doing as the HSBC ad suggests – taking a local approach to a global brand.   Why talk about this?  Cause I feel that effective branding is key, whether you are a large blue chip organization or a photographer shooting for one.

I have found that clients try to minimize the risk they’re taking when they work with a new photographer and the same can be said of a new consumer product: a quality brand instills confidence and reduces that risk.  When done well, this part of any company can yield many tangible as well as intangible business benefits, especially in a competitive market.  For photographers, it can also allow entry into new categories or genre’s, (if the body of work also supports this, of course).

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Nov 09 2010

The lyrics from Tom Petty’s song Mary Jane’s Last Dance keep standing out in my head, so I thought I would turn it around into something useful.  And I am not talking about Indiana boys on them Indiana nights, but referring to photography.  Lame, I know, but sometimes I just need quirky sayings to remind me of things.  The message is: you have to constantly refine your craft if you are in the creative business.  For photographers, that means keeping your finger on the shutter.

Nick Onken, who I’ve never met but feel a cosmic connection to via our backgrounds of design and photography, refers to this as ABS Theory (Always Be Shooting), which I think is quite clever.  I have followed Nick largely through his blog, and he brings this up from time to time as a reminder to us photogs.  I wish he would bring it up even more (some people just need to be reminded all the time, I am one of them).

And he is right, the more you shoot (regardless of it being a paid gig or not), the more you push yourself creatively and the more comfortable you feel on the set later.  Confidence is key, and this is a great time try new approaches, compositions and lighting techniques.  For instance, I got into the biz shooting for outdoor magazines, but since fell in love with shooting food and architecture, and it all started when I answered questions like “what if I tried putting my light here” or “what if I tried this angle?”  Well after about the 100th try, something cool came out of the other end, the rest is history.  Every time the shutter is clicked, the eye is expanded and personal vision and style is developed.

Well, it has been a few weeks since my last shoot and I started getting antsy.  Really antsy.  So I lined a few things up and this week I head back to the States for two weeks of action packed adventure.  The first stop (aside from overnighting in DC) will be to Jackson Hole to join Corey Rich, Keith Ladzinski, Sadie Quarrier (National Geographic), and Scott Wilson (The North Face) at Rich Clarkson’s Adventure Photography Workshop.  By looking at the itinerary, I don’t know how they could pack any more into a 6 day shoot, this is going to be one heck of an adventure for sure.

From there I drive through the night and meet up with Tyler Stableford and the Canon team to shoot in Arches National Park and a few other locales around Moab.  I have been to many National Parks in my day, but Arches has always eluded me, so I am really stoked about this leg of the trip.  But not the driving through the night part, (okay I admit, I am a glutton for punishment).   Afterwards I have a few shoots I am doing around Moab, and I might actually get to do some hiking on my own, fingers crossed.  Then back in DC, I have a couple of architecture shoots I have commited to, and ending with a triathlon that I have been training for religiously (yes, definitely a glutton for punishment).

Lots of things to do, people to see, but to me it will all be worth it.  Whether I teach or attend a workshop, shoot a paid gig or do some street shooting for myself, my creative desire is fulfilled and the batteries are recharged.  That is the beauty of this business, and developing your eye only comes from doing it constantly.  Currently I am in the final throws of my packing (the ‘pre fun’ stage if you will), and I have a ton of the loose ends I have to wrap up, but it will all be worth it when I am outside and breathing some mountain air for a change.  Now if I could just get my race bike to fit into a 62″ box, I will be all set.

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Sep 22 2010

I just got back from a few days of shooting in Oman and was thinking about writing this piece as I was going through my images.  To me ‘travel’ and ‘photography’ are the two most synonymous terms in photography.   Taking photographs when you travel is mandatory.  It is what you do.  How else would you preserve the memories and details of the excursion?  Whether you do it with your iPhone or SLR, here are some tips that might come in handy when documenting your next jaunt.

1. Scout out a few ‘must have’ shots. When going somewhere new and I know I am going to be there at least 2 days, I do a quick scouting mission to test compositions.  And a good time to do them is during the middle of the day when your light is flat anyways.  At the end of the test run, I find a few shots that I really want and focus on those the next day when the light is perfect.  For this shot of Muscat, I scouted it out the day before, and realized the morning would be the best time given the sun angle.  What I didn’t know is that I needed to wait a little while until there was enough light, 6:30 was just too early and I wanted a warm landscape shot, so sometimes you have to be patient.

2. Dont forget to capture people. The local people are as important (if not more) to a place is the buildings and scenery.  And, take my advice, it is also a good idea to ask before sticking a camera in someone’s face.  I had a crazy experience along the Kenya/Tanzania border that I will never forget, so from now on I take the temperature of the scene before shooting away.  A good tip for digital photographers is to show them their photo on screen.  This is a great ice-breaker.

3. Zoom in close to bring out the details. This also tells the viewer a lot about the place you are capturing, and a way to do that is what I call dissecting the photo. If you shoot something with 3 interesting elements, dissect the photo further by capturing the details of those 3 elements up close.

4. Be creative by capturing different angles. Look up, look down, look all around.  Try not to always shoot at eye level, but mix it up from time to time by shooting up or down to offer different viewpoints.  This over the shoulder shot of the butcher attempts to do just that, and I slowed down the shutter speed just a little to blur the knife blade.

5. Don’t be afraid to shoot into the sun. To me, a well composed silhouette is a very interesting photo and lets the viewer interpret the image as they like.  For this shot, it was helpful there wasn’t any background other than the horizon, which enabled me to highlight just the boats and fishermen.

6. Capture the local colors. Every place has a vernacular color palette that is specific to that place.  Expose them.  The Caribbean has bright, vibrant tropical colors.  The palette for Native American tribes in the southwest use earthy, rustic reds, oranges, yellows.  In Oman you will notice a lot of beiges and creams.

7. Pull out the patterns. Look for pattern and structure in surfaces, objects, buildings and in this case: fish. By coming in close to a tight composition the image will appear abstract. Repetitive patterns work well in the monochrome medium as well, or with a simple color palette of say 2-3 colors.  I arranged these barracuda on the docks to give the image strong diagonal composition and liked the contrast and texture that they offered.

8. Make friends. It is always a good idea to chat it up with the locals, and the camera is a great conversation starter.  This is Omar, and while you might not tell by the photo, he works on F-16 fighter jets for the Omani Air Force, fishing is just his hobby.  I would have never known Oman even had an air force had I not met Omar.

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Apr 02 2010

I love Joe, some of his tips are so simple, yet so important, like how to hold the camera.  This technique is clutch for getting steady shots off in low light at shutter speeds you wouldn’t dream of.

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Feb 16 2010

Chase spells it out how to pack in simple English and offers some really cool tips in the process.  While some of his insider information applies to people who routinely fly in the United States, there is certainly something for everyone.  In a series called Chase Jarvis Tech, the Seattle based photographer shares the ins and outs of his photography bags. Plus, bright minds think alike…he also uses Pelican cases and Lowepro packs :)

So, if you are like me and always on the go, traveling from one place to another with a lot of camera gear this is definitely the vid for you.

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Nov 12 2009

Every now and then I get approached by aspiring models to take shots for their book, and the experience has always been a win-win.  If you ever have the opportunity, do it, but if you don’t have the opportunity, create it.  Shooting tests are a prerequisite for getting started in photography, yes, but also crucial to keeping the creative juices flowing along the journey.

Shooting tests can be as simple or as complex as your budget can allow.  This one was fairly simple and didn’t involve prop stylist, make up artists or numerous assistants.  I met Yomaris in Athens as I was shooting the Parthenon at twilight.  I would like to think that she approached me for my good looks and amazing personality, but in all reality I think it was the big camera, large tripod, cable release, and several lenses that drew her in.  And in this case, I even had my better looking friend Scott Odden with me, but it didn’t matter, the camera trumped all (sorry Scott).  Thus I was the one that ended up with afternoon plans the next day at the Athens Hilton.

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Jul 23 2005

One of the biggest challenges for us photographers, and I mean the ones who treat their camera as an extension of their body, is gaining access to places to shoot.  Especially big cities, where commercial licenses must be secured weeks in advance sometimes.  Well, this is isn’t a big city, this is Karastos on the island of Evia in Greece, well off of the tourist milky way.

As I was eating dinner outside at this taverna, I noticed an interior that I really, really wanted to shoot after the sun set and the disco ball started to spin.  Rather than just rock up and start shooting, I go to the bar and order a drink.  No pressure to shoot since the night was young, so I was scoping out my shots.  Not long before a guy rocked up and started a conversation, mostly about traveling to the US as a child, all of the fond memories, etc, etc.

I guess this is because I stick out like a sore thumb being American on a remote part of Greece that never sees tourists?  Well, come to find out, he was the owner, and not only could I shoot whenever and wherever in his establishment, my drinks were on the house for the rest of the night.  So, the tip is, assess the situation first, take the temperature of the scene before start shooting.  The conversation was the ice breaker for sure.

And the last photo?  This one shows his club (the yellow building) in relationship to our 44 foot Bavaria yacht in the foreground.  Now you see why I like sailing so much!

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Jul 07 2005