Fall color is a great time to be shooting, and certainly an important time for lifestyle magazine Southern Living, which vows to celebrate the best of the South through their circulation to 15 million readers.  In my opinion, nothing is more synonymous to the South than fall color and the harvest season.

The stage was set in Asheville, NC, where I met up with garden editor Edwin Marty to shoot a few of his upcoming stories.  And these were feel good stories too, like profiling Asheville’s Quality Forward organization.  This is a volunteer-based Keep America Beautiful affiliate that works to achieve a clean and green Asheville through community organizing, educating and environmental stewardship.  Emphasis is placed on project-oriented work through cleanup events and beautification plantings, and that is what I was there to shoot as well as some fall color vignettes.

And here is the scoop on Edwin: passionate, energetic, and all around great guy to work with.  After his story about traveling through South America surfing and experiencing life, I knew we would get along great.  Not only that, but he brought his climbing gear for a small detour on the trip back, so he also likes to mix pleasure with work (I think we were separated at birth).   And, I am not going to lie, I too packed my fly rod and fished the Caney Fork on I-40 as I traveled through Tennessee .  While it was only for about 4 hours, I wasn’t about to let the opportunity go by.  So, it was an immediate friendship and Edwin’s free spirited stories made it difficult to concentrate on what we were there to do.

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Nov 01 2005

Lance seems like the quiet type at first, but after getting to know him in the few hours we were together, I bet Lance likes to have a good time off of the range.  He is a story teller too, which tells me a lot about a person and is an avid outdoorsman.  “So when are you going to take me hunting?” he asked, which is usually the makings of a long  lasting friendship outside of work.  I hate to disappoint you Lance, most of my hunting these days is with a camera, but I could certainly see filming an ‘in the field with Lance Bade’ piece in the near future for sure, we just need to find a producer.

We met up at the US Olympic Shooting range outside of Colorado Springs and I was interviewing him for an article I was writing for an outdoor mag.  Seeing his stats on paper is one thing (the guy is a world record holder and 3 time Olympian) but seeing it live in person is astonishing.  I mean, when I was an avid skeet shooter, I probably got 25 out of 25 twice, Lance powders targets all day long!  Here were some of the shots from yesterdays shoot:

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Oct 02 2005

I like Lance.  A lot.  His willingness to overcome everything for his goals, his sport, his fans and for cancer research is nothing short of greatness.  I had been keeping up with him as he worked towards victory number seven while I was on my month-long sailing trip in Greece.  Every port we stopped into, I was following him through the papers, in the internet cafe’s, and on the phone with friends.  Then one day, I got the urge and just had to go.  When they were nearing Paris on the final legs of le Tour de France, I cut my trip short and took a direct flight from Athens so I could see the final moments.  Everything fell into place and here is what I saw on the Champs Elysee yesterday.  I love it when a plan comes together:

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Jul 25 2005

Every now and then I get approached by aspiring models to take shots for their book, and the experience has always been a win-win.  If you ever have the opportunity, do it, but if you don’t have the opportunity, create it.  Shooting tests are a prerequisite for getting started in photography, yes, but also crucial to keeping the creative juices flowing along the journey.

Shooting tests can be as simple or as complex as your budget can allow.  This one was fairly simple and didn’t involve prop stylist, make up artists or numerous assistants.  I met Yomaris in Athens as I was shooting the Parthenon at twilight.  I would like to think that she approached me for my good looks and amazing personality, but in all reality I think it was the big camera, large tripod, cable release, and several lenses that drew her in.  And in this case, I even had my better looking friend Scott Odden with me, but it didn’t matter, the camera trumped all (sorry Scott).  Thus I was the one that ended up with afternoon plans the next day at the Athens Hilton.

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Jul 23 2005

Connections are key in any business, but certainly visual arts such photography, journalism, design, etc.  It is a who you know business, from editors and reps to caterers and travel agencies.  I made one such connection while in the Caribbean earlier this year, and while it didn’t necessarily affect my bottom line, it did ignite a fire inside me and helped to create more of a passion for travel and photography and certainly helped my portfolio.

I met Christian, a contributor for Segeln (a German sailing mag) while visiting the Sunsail base in St. Maarten.  I was trying to set up a shoot with some of their yachts and they just weren’t buying it.  Then they came back a few minutes later and were like, “we have this journalist flying in from Austria today, but for insurance reasons can’t let him take the boat out, so if you can accompany him, you can shoot all you want and we will pay you.”  Of course I was like “where do I sign?” and before we knew it we were off island hopping for a week.  He wrote articles, I shot film, went snorkeling and we had a jolly good time.

Now fast forward to July.  He invited me to accompany him again, this time was a month long sojourn hitting over 20 different ports in Greece and sailing 3 different yachts.  Not only was it fun, but I had a chance to learn from someone who has been sailing, shooting and writing about sailing most of his life.  On top of that, I have moved on to digital, which meant that exploring new angles and tricks photographically was that much easier and efficient.

So, connections are indeed key, and taking every opportunity that presents itself is even more important, even if you have to make the opportunity.  Midway through the trip, here are some shots from Naxos, Ios, Paros, Evia and Paros.

Naxos
Naxos

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Jul 07 2005

One of the biggest challenges for us photographers, and I mean the ones who treat their camera as an extension of their body, is gaining access to places to shoot.  Especially big cities, where commercial licenses must be secured weeks in advance sometimes.  Well, this is isn’t a big city, this is Karastos on the island of Evia in Greece, well off of the tourist milky way.

As I was eating dinner outside at this taverna, I noticed an interior that I really, really wanted to shoot after the sun set and the disco ball started to spin.  Rather than just rock up and start shooting, I go to the bar and order a drink.  No pressure to shoot since the night was young, so I was scoping out my shots.  Not long before a guy rocked up and started a conversation, mostly about traveling to the US as a child, all of the fond memories, etc, etc.

I guess this is because I stick out like a sore thumb being American on a remote part of Greece that never sees tourists?  Well, come to find out, he was the owner, and not only could I shoot whenever and wherever in his establishment, my drinks were on the house for the rest of the night.  So, the tip is, assess the situation first, take the temperature of the scene before start shooting.  The conversation was the ice breaker for sure.

And the last photo?  This one shows his club (the yellow building) in relationship to our 44 foot Bavaria yacht in the foreground.  Now you see why I like sailing so much!

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Jul 07 2005

The way this trip fell into place is like most: spur of the moment.  I was covering a few stories in South Africa for some outdoor mags, mostly rod and gun stuff, and I had a nice 2 week break in the middle.  Originally my thoughts were to pack a tent and just roam through the Drakensberg Mountains and the East Coast Belt around Durban.  It sounded like a pretty good plan (or lack thereof, which I like) but then I ran into some friends who just got back from Tanzania, and raving about their Kilimanjaro experience.  After hearing their stories, I just had to check it out for myself, but customized a little.  The part about being part of a group of 50 people with porters who carried your bags and made camp before you arrived I could do without. 

And, the part that really sealed the deal was their Tanzanian guide just happened to be in the States that week.  So as you can guess, we hit it off, and after about an hour of broken English and sign language, we had a plan in place.  That plan was sketched onto a napkin, it included a map of Arusha, an email address and the name of a bus stop, the rest was up to me.  These are the kind of details that make the trip more interesting.  Figuring things out on your own, making things happen, getting from ‘Point A’ to ‘Point B’ is what excites me. 

So, no caravans, no entourages, just me, my camera equipment, and some hiking gear arrived to the bus stop, and much to my dismay, Ian was there waiting.  The different Kilimanjaro experience started  there, as we went back to his ‘neighborhood’ and spent the night in his tin roofed shack with mud walls and a dirt floor.  We also provisioned the trip from the local market, ran around town sorting out permits and finally hitchhiked about half of the way from Arusha to the Machame Route trailhead.  The other half we huffed it, meeting wonderful people along the way, Ian acting as translator.  The whole time I was wondering, does your average joe get to experience this?  Or are they dropped off at the trailhead by a Land Rover?  It didn’t matter, I was having the time of my life. 

So in the end, it was just three of us working our way up to the summit.  Ian was the head guide ( who handled the logistics of the climb), Kingston (took care of the cooking gear and meals), and me (who tried to act like I knew what I was doing, supplied the two-man tent, and yes, we all three slept in it together).  To be honest, I had the time of my life, and it was tougher than I thought, despite all of the hype about it before I arrived. 

So in the end, I too joined the list of the elite masses.   Yes, that was a joke, and I guess it comes from the reaction I would get when I told people after  the climb.  They would say: ”Sounds great, but isn’t it just a walk-up?” or “I heard an 87-year-old climbed it last year.” 

Of course I was a little discouraged by some people passing it off as easy, cause it was no stroll around the lake for sure, but I do admit the mountain is accessible to a lot of people.  The region is really set up for tourism, and technically you can climb Kili at any time of year, with all of these factors contributing to the 25,000+ climbers attempting the summit on a yearly basis.  To put it into perspective, roughly 150 who reach the summit of Mt. Everest each year with a weeklong climbing window (give or take a few days). 

So, was it a challenge?  Yes!  Would I do it again?  You bet!  Here were some of the images from the trip:

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Jun 10 2005

The Sabi Sand Reserve is the birthplace of sustainable wildlife tourism in Southern Africa, and is the oldest of all the private reserves in South Africa. It has only ever been a wilderness area and is home to a vast wildlife population, including The Big Five, and a number of endangered species too.  Flanking the Kruger National Park, animals pass unhindered between the reserves.

And luxurious was the experience too: we got up every morning at 6, after a light breakfast we set out on our first game drive of the day.  By 9 we were back at the lodge having an exquisite breakfast, and then lounged around by the pool or took a siesta for another 3-4 hours before lunch.  After that we went on our walking drive, where we were in the bush in small groups, just us, a guide and a .375 H&H Magnum just in case.

Once we were back from that there was an hour before our afternoon game drive, and after sunset we were back at the lodge eating a 4 course meal by 8.  Not bad, but if I did this too often, I am worried I might expect this kind of treatment all the time!  The digs were great, the food wonderful, and we got to see some wildlife, free roaming, up close and personal.

Here are some photos from the past weeks hospitality shoot:

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May 30 2005

Now this is my type of shoot!  Just got finished wrapping up the 25th St. Maarten Heineken Regatta, and I have to hand it to the organizers, they really know how to put on a good event.  The four day yacht race was complete with a Quicksilver fashion show, concerts every night, not to mention the sleek yachts that converged on this small Caribbean island from all parts of the globe for one common goal: to have fun.

They also took really good care of their photogs to make sure they get the best shots possible and provided me a chase boat for the whole week.  And that was an experience altogether!  The tricky part was capturing specific boats, at key points around the island, and although our boats were certainly faster, keeping up with the Spinaker 1 class was definitely a challenge.  But that is what makes this regatta so special, sleek Volvo 70 yachts  with rock-star crews are racing the same course as small bareboaters who are there just to have a good time.

I was shooting for Hollands’ De Telegraaf and profiling some Dutch crews that make this event so successful, one of which was Team Wildthing.  The captain single handed his yacht from the Netherlands and ended up making St. Maarten his home.  The crew they put together added life to the party every night, complete with drums and chants, and I had a chance to race with them on the last day.  I must say, these guys are passionate and not like any other crew I have raced with.

Playboy also had a sponsored team and I managed to get some shots of their all girls squad for an edition in their next issue.  Fingers crossed!

Here were some of the shots from the four day shoot, capped off with a performance by Jamaican reggae legend Jimmy Cliff:

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Mar 08 2005
Posted in Equipment | 0 Comments

So after much debate, I think I have waited long enough, the time has come to switch to digital.  Canon released their 20D back in August, so I figured they have come down enough in price to make it easier to pick up the body and some decent glass while I am at it.  I have a big shoot coming up in a few weeks and it could possibly pay for itself in a matter of days, fingers crossed!

Here are some of the specs I really like:

Lens Compatibility: Works perfectly with every EF and EF-S lens (but I have to do something about the 1.6 crop factor.

Viewfinder: adjustable, -3 to +1 Diopters.

AF: 9 points.

AF Modes: Single (ONE SHOT), Continuous (AI SERVO), and Auto-switching (AI FOCUS)

Metering: 35-zone Evaluative, Center-only and Center-weighted.

Exposure Modes: Program, Manual, Shutter- and Aperture-priority and depth-of-field mode.

Frame Rate: 5 FPS.

Shutter: 1/8,000 to 30 seconds, Bulb.

Sensor: 8MP, 1.6x crop/magnification factor (APS-C), 22.5 x 15.0mm, CMOS.

Image Sizes: 3,504 x 2,336 pixel native, also 2,544 x 1,696 and 1,728 x 1,152 pixels.

File Formats: JPG (2 levels of compression) and CR2 raw.

ISO: 100 – 1,600. ISO  and expandable to 3200 ISO.

Made in: Japan.

Size: 5.7 x 4.2 x 2.8″ (144 x 106 x 72mm).

Weight: 24.2 oz. (685g) stripped.

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Feb 25 2005
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